DOI: 10.70650/rvimj.2025v2i100007

  DOI URL: https://doi.org/10.70650/rvimj.2025v2i100007

Abstract: The sacred art of South India reveals a profound union of geometry, philosophy, and devotion, where temples stand not only as architectural marvels but as metaphysical blueprints of the cosmos. This article examines how sacred geometry and symbolic imagery in South Indian temple iconography articulate the relationship between the human and the divine. The Dravidian temple is conceived as a living organism—its spatial plan follows the Vastu Purusha Mandala, translating cosmic order into terrestrial form through mathematical proportion, cardinal orientation, and symbolic hierarchy. Within this sacred grid, every sculpted figure and architectural rhythm participates in a larger spiritual syntax: the circle signifies infinity and cosmic energy, the square embodies stability and earthly existence, and their intersection mirrors the dynamic tension between spirit and matter. Iconic representations such as Shiva Nataraja’s cosmic dance, Vishnu Anantasayana’s repose on the serpent of eternity, or the fierce grace of Devi in her yantraic manifestations are not mere artistic expressions but visual meditations drawn from the Agamas and Shilpa Shastras, where geometry becomes a language of transcendence. Through an interdisciplinary lens that bridges art history, semiotics, and religious philosophy, the discussion highlights how temples like Brihadeeswara at Thanjavur, Meenakshi at Madurai, and Kailasanatha at Kanchipuram transform mathematical precision into metaphysical symbolism. The alignment of form, proportion, and ritual movement within these spaces reflects the Indian conception of divinity as both immanent and infinite, revealing a worldview in which beauty and symmetry are paths to spiritual realization. References to seminal works by Stella Kramrisch (The Hindu Temple, 1946), George Michell (The Hindu Temple: An Introduction to Its Meaning and Forms, 1977), and Ananda Coomaraswamy’s writings on symbolism underscore the continuing relevance of sacred geometry as a living philosophy of design. Ultimately, South Indian temple iconography demonstrates that divinity is not represented but architecturally embodied—the eternal made visible through measured form and luminous proportion.

Keywords: south indian temple art; sacred geometry; dravidian architecture; iconography; symbolism; vastu purusha mandala; shilpa shastra; agamic tradition; nataraja; vishnu anantasayana; devi iconography; metaphysical aesthetics; cosmic order; temple symbolism; visual theology; stella kramrisch; george michell; ananda coomaraswamy.